djonn: (woods)

Thanks to a spectacular accident of timing, I ran across a brand new book this past week with a pitch that leapt off the screen and said "Read me!"

This happened to coincide with a sufficiently clear bit of spare time that I woke up a long-dormant Web account, secured an electronic copy, devoured the book - and have just now posted a proper review.

The book is The Adventures of Mary Darling by Pat Murphy, and the review is here at my personal Webspace and here at Goodreads. (It is a decidedly mixed review; I had been worried about the book turning out to be genuinely awful based on aspects of the initial trade reviews, but my fears were only partially justified.)

djonn: Self-portrait, May 2025 (Default)

...and newly outfitted with a minimally bionic eye, thanks to cataract surgery last week. (Nowadays, you don't just get the cataract(s) taken out, they put in a lens implant - I got the basic model, thus "minimally" bionic.) This was the right eye; there's another operation on the left to come, but the exact date isn't yet scheduled. The improvement in vision is already dramatic and likely to be better still by summer, once the left eye is finished with recovery and the opthalmologists can finally write me a prescription for new glasses. [As it turns out, I'm sufficiently astigmatic that glasses work better on that issue than the higher-end implants would have.]

djonn: (woods)

An administrative note:

While I'm going to leave the account in place (so that no one else co-opts it), I am as of now departing Twitter/X in favor of Bluesky.

The handle there, as on Twitter, is LonePenman. (Yes, there should be an "@" there, but Markdown doesn't want to format the link properly that way, and I don't have time to fight with it just now....)

djonn: Self-portrait, May 2025 (Default)

I'm not even going to look right now to see how long it's been since I posted here; suffice to say that any readers still left are fully justified in wondering if this really is a Frankenstein-like synthetic version of me here at the keyboard.

No such luck (although I could in fact use one or two upgraded or otherwise rejuvenated body parts). It's still me, still living the quiet life in Darkest Suburbia™, still puttering away on various projects (and behind on entirely too many of them).

Now, though, it's time to see if I can, in fact, jumpstart this journal (and the Web site I've been haphazardly rebuilding since changing hosts a year or so back). One reason - my ebook publisher, Uncial Press, changed hands twice late last year (initially sold to a larger ebook house, which was then bought by a print publisher whose business model thus far seems...at best non-optimal for ebook authors).

I'll attempt to supply updates on a more regular basis going forward (and to keep that promise rather more successfully than the last two or three times I said that)....

In the meantime, there are dishes to wash, lunch to make, words to type, et cetera. Hi-yo Silver, away!!

[No, I don't really have a horse; that would be against HOA rules....]

djonn: Self-portrait, May 2025 (Default)

[eyes calendar]

Yeesh. There goes last January's resolution to post more often around here....

On the plus side, the Web-hosting move is done, and home life here in Darkest Suburbia remains more or less calm. On the other side, there are a lot of projects in assorted categories on which I'm even farther behind than I am on posting to Dreamwidth. I am hoping to make some progress on some of those in the coming week, but We Shall See.

I did, in fact, get to Ashland again this year, though not till the very end of the OSF season, and saw Romeo & Juliet, Twelfth Night, and The Three Musketeers. All were thoroughly worthwhile, with Twelfth Night being far and away the standout production; I had some issues with the adaptation of Musketeers, and some with the staging of R&J, but both come under the umbrella of "your mileage may vary".

I also got to Walla Walla for the (mumble)th reunion of my collegiate graduating class, and quite enjoyed the chance to prowl the campus and get a look at life under Whitman's new president. (We have a high-powered physicist now after several decades of Presidents from various of the humanities, which looks like it's going to be interesting. We are also embarked on a brand new fund-raising campaign, as often happens with the arrival of new leadership.)

In other news, a third member of the southern branch of the family has now become a public school teacher (and is in the same building as her mother, no less!). There is no evidence to this point of undue dimensional collapse due to statistical improbability in their immediate vicinity, but I may have to evaluate the situation further when I go down for a planned visit in the near future.

And that's the state of the expatriate English major as fall continues to fall here in Darkest Suburbia. Tune in again soon, same Bat-time, same Bat-channel....

djonn: Self-portrait, May 2025 (Default)
....well, electronically speaking, at least.

My virtual house at lonepenman.net is changing Web hosts, and one of the artifacts of this process is that email will evidently go down for a (hopefully brief) period while the pixels are migrating from one host to the other.  I should still be reachable here at DW or via phone/text for those with the relevant numbers in the interval.  (I have been contemplating this for awhile now, and once the change is changed, I have plans - rather vague as yet, but still plans - to take advantage of the new quarters to move forward and perhaps expand my online presence.

You have been warned. :-)
djonn: (woods)
On the one hand, I am woefully deficient in self-promotion, for OryCon was this past weekend and here I am, home again, having not posted about it beforehand. I was on two lightly attended but lively and thoughtful panels, and saw some folks I had not seen in many, many moons (one of whom has a book coming out in March!).

On the other hand, I have been productive, for at this just-concluding OryCon I wrote a filk (start to finish in under three hours, premiered at the circle Saturday night within moments of completion).

Naturally, it then went through a couple of wording tweaks when I got back to my room and wrote out a clean copy of the lyrics, but still, I'm glad to have resumed the tradition of writing a song at-con (even as OryCon is now planning to take a year off to regroup).

And here it is!  If you have not been watching Stargirl (the CW series, not the recent feature film), you should be - this is a pitch-perfect Silver Age DC comic deftly sort-of-transposed into the 21st century, and the ensemble cast is superb. The color palette is Batman '66, the visual style is Back to the Future, and the heroes are modern teens who are (for the most part) rather less angst-ridden than their Buffyverse predecessors.

This song, however, concerns one of the thorns in Stargirl's side, played with debonair panache by Jonathan Cake ("Oh, Charles, you know I have a flair for the dramatic gesture"):

ENTER THE SHADE

words: John C. Bunnell © 2021
music: "Drunken Angel" by Michael Longcor

Oh, a gambler I, and a rogue as well, and a gentleman besides,
And I've traveled round this world and back on some most peculiar tides;
I can tell of treasures best left lost and of ill-kept bargains made,
For I live my life in the shadows:
I am he who's called the Shade.

I freely grant I am no pure saint - I'm a thief, and yes, I've killed,
But the righteous need not fear my hand, for it's not their blood I've spilled;
I thrive by night and avoid high noon, for of darkness am I made;
And my soul is that of a shadow,
For I truly am the Shade.

Now a living Shade commands the dark and the shadows heed his call,
He may shape them too, howe'er he will, to hold his foes in thrall;
Yet I tell you this and I tell you true: you should rather be afraid
Of the evil beyond the shadow
Far more deadly than the Shade.

A shadow's edge is defined by light; in the dark it disappears;
And a shadow always stands alone, sharing neither joy no tears,
For the shadow never truly dies, though the mortal friends he's made
Turn to dust in the hands of the shadow
Who is doomed to be the Shade.

Yes, a gambler I, and a rogue as well, and a gentleman unwise,
For I find I cannot flee the trap that I fear I helped devise;
So between the light and dark I stand, my decision freely made:
For I am the eternal shadow;
I shall always be - the Shade.
 


djonn: Self-portrait, May 2025 (Default)

 

It's Tuesday night; your narrator has just stepped out the door on the way to the bus stop, so as to catch the last bus to work for his usual overnight shift. The door, as it's been trained to do, swings shut behind him...

...and my hand slides into my right front pocket, where there is no key ring.

Uh-oh.

On the one hand, this is a serious problem for a one-person household in Oregon whose closest spare key is located in southern California. On the other hand, it's a five minute walk to the bus stop, the bus is due in thirteen minutes, and it is in fact the last bus of the night.

I walk to the bus stop, establishing as I wait for the bus that no, my brother will not be coming up from Los Angeles to let me in tomorrow morning. We discuss the feasibility of replacing the lock with a fancy keypad model...

...and meanwhile, the bus mysteriously fails to appear. I check the GPS-driven app on my phone, which shows that it should be along in one minute - but it's a scheduled one minute, because the bus's GPS is evidently offline.

One minute fails to produce a bus. Five minutes fail to produce a bus. I check the app in an attempt to discern whether the bus somehow slipped past me while I was texting my brother. The app reports that the bus should be somewhere between my stop and the stop where I get off. It becomes obvious, however, that wherever it went, the last bus has ended its run without picking me up.

Clearly, the universe is conspiring against me. I sigh and make two phone calls, one to work and one to Uber. Impressively, the Uber driver is reasonably prompt and I am only slightly late for work, although without my key ring I can't get into my locker, where some of my usual work gear lives. The universe is also out to get my immediate supervisor; another co-worker has called in sick, and we also discover we have about twice as much work as there was supposed to be for this particular shift. Nevertheless, we persist, and the work mostly gets done in timely fashion.

Now it's time to come home - but how to get in? I have a light-bulb moment; I've recently learned that our HOA has a garage in which various odds and ends are stored, including assorted tools and such. It occurs to me that given our recent hot weather, and given that my condo is a second-floor unit sadly lacking in air conditioning, I've been leaving the glass sliding door to my balcony open at night for better airflow. (The sliding screen door is not open; I'm not inclined to let in the neighborhood squirrels or the occasional visiting goose.)

Possibly, I think to myself, the HOA will have a ladder in the garage, whereby I can climb up, get onto the balcony, and let myself in.

My brother points out via text that I am gaining ground on Lewis Carroll's Father William, and that perhaps I ought not be scrambling around on rickety ladders at my age. (Neither of us mentions that I have had an explicit warning from my doctor not to scramble around on ladders, rickety or otherwise, while one of my current prescriptions is still running.)

This discussion takes long enough that it's no longer too stupidly early to knock on my next door neighbor's door, on the off chance that I actually did give him a spare key when I changed my locks a couple of years ago. We establish that no, I wasn't that bright. However, my neighbor knows exactly which of my other neighbors is (a) on the HOA board, and (b) has the key to the garage in which there may or may not be a ladder. And wonder of wonders, the other neighbor is home!

Better still, we establish that there is, in fact, a ladder of sufficient height in the garage to reach my second-floor balcony. My two neighbors and I are, shortly, standing next to the base of said ladder, which is neatly extended up to said balcony. We look at one another. "John," my next door neighbor asks, "are you sure you can make it up that ladder?"

On the one hand, advancing age notwithstanding, I announce that I feel perfectly capable of climbing the ladder. However, the board member and custodian of ladders eyes me critically, and inquires, "Would you like me to climb up there, get in, and open up the door?"

I contemplate the ladder for a moment, and consider what the doctor is likely to say should I happen to fail my saving throw versus landing on my head as I swing over the balcony railing. "That's probably a good idea," I reply.

The other two of us watch - with my neighbor helping to steady the ladder - as the board member scoots with ninja-like efficiency up to the balcony, swings with monkey-like deftness over the railing, and takes all of two and a half seconds to defeat the screen door. Another thirty seconds find me back around at the front of the building, greeting him with effusive thanks as he emerges from my front door. Clearly my neighbor and board member is a bona fide ninja, and I have been saved from having to call a locksmith. [Clearly I also need to do some serious baking, preferably before the next heat wave arrives in a week or so.]

For the moment, in any event, the universe's conspiracy against me has been defeated, and life in Darkest Suburbia is back to its usual state.

djonn: Self-portrait, May 2025 (Default)
I am a late, late, latecomer to the phenomenon of binge-watching. In part, it was a matter of access; I refused to jump on the pay-TV bandwagon for simply decades, until forced by the demise of a second-tier Internet provider to switch to cable. Even then, I resisted. But in the last year or so, and particularly since moving to my present corner of Darkest Suburbia™ (where it's been not merely possible but preferable to get most of my TV via streaming), I have succumbed on occasion to the siren call of mainlining a whole season of something all at once.

However.

Even in my assimilation, I am an outlier. I have not inhaled the addiction that is Game of Thrones (HBO itself is not my jam). I have not drunk the Kool-Aid that is The Mandalorian. (I actually do have Disney+, but while I like the Star Wars franchise in general - okay, except for the prequel trilogy - it's at best a second-string favorite to other series. I'll get there one of these days, just not yet.)  I am years behind on the various "Arrowverse" series. I have not sat through the epic that is Survivor (I am mostly a really hard sell for reality TV - traditional game shows, mostly yes; dysfunctional group-therapy exercises, hard NO).

So what did I spend most of a weekend watching just last month?

That would be Encore, a Disney+ original reality series (!) that's all about - surprise - musical theater. I am nothing if not a lifelong theater nut in general and a musical theater nut in particular, and the discovery that someone had made a reality show about re-enacting high school musicals was pretty much guaranteed to ping my "must watch" radar. Nor did it hurt that one of my favorite actors - Kristen Bell - is both nominal host and one of the executive producers.

Encore's premise is straightforward: track down the half-dozen or so leads of a particular high school's musical theater production from a particular year, anywhere from a decade to almost a half-century after the fact, and lure them back to said high school to put on a fast-tracked one-night revival of that same show. The production window is short: five days' preparation from launch to overture. This is made practical because the series producers supply the remaining 95% of the necessary labor (including actual Broadway-veteran directors, choreographers, and music coaches) plus a professional ensemble (often hired locally) to fill out the cast. The reunited performers get a trip down memory lane, and viewers get a crisp, authentic behind-the-scenes view of how each episode's production comes together. Most of the resulting shows are staged right back at the original high school theater, though one or two make use of a nearby local theater. In one case, where the high school in question had closed, the next-nearest high school stage stood in for the original.

Because each episode runs just under an hour, what you get of the actual score from each selected musical is limited, but there's always enough to get the flavor of each show across. There's a nice balance of variety and continuity in the production process. In some cases the high school performers reprise their original parts, while in others they take on different roles. Each episode makes use of a unique trio of directors, but several of the directors and choreographers recur three or four times during the 12-episode season. And there's often a guest with specific connections to the relevant show's Broadway run - Broadway's original Belle turns up for Beauty and the Beast, songwriter Stephen Schwartz is on hand for Pippin, and the guest director for Ragtime was, in fact, the Tony-nominated director of the show's 2010 Broadway revival.

Because this is reality TV, part of each episode involves our leads reflecting on their lives then and now, but while some of the journeys involve a degree of emotional pain, all are ultimately optimistic in the old-school Disney mode. Because this is a high-school reunion exercise, the producers have hunted down archival video of the original productions, so you get to see - sometimes side by side - the principals as kids and as adults. And because this is an absurdly ambitious way to produce a musical, there's a degree of cheerful Muppet-like chaos that's always making itself felt.

The selection of shows is more diverse than you might expect from a Disney-backed venture - yes, they've got Beauty and the Beast and High School Musical, but also represented are Anything Goes, Godspell, and the aforementioned Ragtime. At one 12-episode season, this is a fairly short binge - and may well be all we get, given both the present limits imposed by the pandemic and the long-term changes likely for live theater in general going forward. I'd be glad to see more - but I'm delighted to have this much, and I recommend the series to anyone with any interest at all in musical theater. 
djonn: Self-portrait, May 2025 (Default)
Back in spring of 2006, the Coca-Cola people introduced a new beverage, which came in four-packs of tidy little eight-ounce bottles: Coke Blak, which combined Coke with coffee. I give you now the official review of Coke Blak from one of the Internet's premier authorities on interesting food, Seanan McGuire:
I like Coke, I like sweetened coffee beverages, and I like freaky things that come in bottles, so I believe this review to be a fairly accurate and unbiased account of the worst two dollars I have ever spent in my entire life. Namely:

OH GOD OH GOD WHAT IS THAT TASTE, WHAT IS THAT FLAVOUR ON MY TONGUE SWEET JESUS, IT'S EATING INTO MY BRAIN, I CAN FEEL IT ETCHING ITS WAY THROUGH MY SKULL, OH GOD OH GOD I AM GOING TO BECOME A REANIMATED CORPSE FOR THE COCA-COLA FOUNDATION IT REALLY DOES BRING YOUR DEAD ANCESTORS BACK TO LIFE AND THEY DO NOT APPROVE MAKE IT GO AWAY!!!!
The initial stock vanished from the promotional shipper in my local supermarket very quickly and did not reappear. Googlemancy says it took the Coca-Cola folks two years to realize their failure and shut down production.

Cut to this past week, when I notice in my local supermarket a brand new shipper with neat rows of skinny cans (much like those in which the new Coke energy drink comes), carrying the rather more dignified label: "Coke With Coffee".

I really hope the Coke folks have reformulated the current version rather than simply trying the old recipe out again in a new package. OTOH, I've resisted the urge to call this to Seanan's attention, because I don't want her to go through that much agony again on the Internet's behalf. [Before you ask - no, I've not tried this myself, as I am a committed member of the coffee-averse minority. The liquid vices I'll admit in public are hot chocolate, tea, craft root beer, and what comes out of my SodaStream machine.]

djonn: (woods)
Opened up a long-trunked short story file yesterday and did a quick read-through and polish -- you don't want to know how many semicolons there were in the pre-tinkered iteration -- after running across a market notice for which said story might conceivably be a fit. Of course it's a short-window deadline, and of course older me now sees an issue that probably needs more time to fix than the window will allow, but still. Actual writing is actual writing.

In other news, the final death of Yahoo Groups a couple of weeks ago took with it a small writers' mailing list whose ownership I inherited a long while back by being one of the few people involved with sufficient Yahoo neep-skills to actually get into the list management tools. Before the lights went out, one trail of breadcrumbs was laid over to groups.io ... and I laid another by setting up [community profile] storytellers_research here on Dreamwidth. The community - like the prior list - is designed to help writers by sharing general  expertise as needed for particular projects (i.e. what kind of a sword wound do I need to sideline my protagonist without killing her, what sort of dresses did they wear in 14th-century Grand Fenwick, how can I get someone out of a locked sarcophagus before they run out of air...).  Membership is temporarily moderated (to discourage spammers during the setup phase), and very much not limited to the prior Yahoo folk, so anyone interested is encouraged to head over and come aboard.
djonn: (crow)
Here it is Christmas week, and not a flake of snow anywhere here in Darkest Suburbia™...but the squirrels and the crows are out, and my holiday shopping is done (mostly via mail order). There are still cookies to be baked, but that's been delayed due to a winter cold - for which I've been sequestered this past week, as the symptoms crossed just far enough over into Purple Death territory that one can't truthfully pass the current screening questions people ask you about whether you have symptoms of the Purple Death.

Time now to go take refrigerator inventory, pay a bill or two, and perhaps put some Christmas music on the stereo. If I don't pop back in before the end of the week, may your winter-holiday-of-choice be as merry as can be managed, and let's raise a virtual glass (or mug, if you prefer; I think I hear some hot cocoa calling) to better times in the year to come.
djonn: (Peter Iredale)
[blowing dust off furniture]

Yeesh, you would think whoever was living here would dust more often....

I really, really need to start posting more than once every year and a half. Let's call that a New Year's resolution and see where it gets me.

 ////

So, the Very Very Short Status Report for anyone still hovering in the gallery:

I remain comfortably ensconced in the southwestern quadrant of Darkest Suburbia™, amid entirely too much clutter and too many unsorted boxes (but am verrry slowwwwly working through both these).  I still have a day job in grocery retail, which is highly useful where things like regular income and decent health coverage are concerned. At present the paid writing career is almost entirely dormant, although I am doing a fair amount of purely-for-fun writing under another hat, and I keep meaning to regenerate the more profitable side of things.

On the family front: the Kid Brother and family are busily enduring the current dystopia in Southern California (both he and my sister-in-law teach in the LAUSD system). My niece and nephew are occupied in various parts of the (virtual) collegiate universe, while Mother is in memory care - but otherwise mostly excellent health for almost-90 - just down the street and around the corner from here as I type. I am two weeks or so past a Milestone Birthday, and have been playing "Just No Time At All" from Pippin on my various music-generating devices in nominal protest. ["I believe if I refuse to grow old, I can stay young till I die!"]

One part of the enormous supply of unsorted boxes consists of manuscripts comprising a great variety of short memoirs my father wrote over a period of years; there's a lot of good stuff in there, and another of my long-term projects will involve consolidating and editing that material. Much of it will likely remain within the family, but there's also some potentially publishable work in there. There are also additional manuscripts from *his* father (who published a book of native Northwest legends 90-odd years ago), and there may be hidden gems there to evaluate.

And that's the general state of the universe in this corner of Darkest Suburbia just now.
djonn: Self-portrait, May 2025 (Default)
Per (long) prior notice, however, the latest installment in the Tales of Darkest Suburbia is live at my other Webspace (www.lonepenman.net):

The Snickerdoodle Dilemma
In which a neighbor receives an unexpected "gift".
djonn: Self-portrait, May 2025 (Default)
[mirrored from my Webspace at www.lonepenman.net:]

NOTE: In the interests of protecting the privacy of the individuals and institutions involved, I’ve changed the names and a couple of personally identifying details in the following account. The story, however, unfolded exactly as described.

# # #

A neighbor of mine here in Darkest Suburbia walked up to his apartment door late one afternoon this past week to find a cheery little yellow flowered gift bag on his doorstep. Inside were (a) a box of six snickerdoodle cookies (his mother’s favorite), (b) a box of orange spice tea bags (ditto), and (c) a handwritten note, reading as follows:

Scott,
I thought your mom would enjoy these treats.
🙂  Thanks again for your time last week.
— Dani

A friendly, thoughtful gesture? Well, possibly…

…except that Dani has never met Scott’s mother. Dani works for a local senior living community which offers memory care, and Scott has been busy for the past couple of weeks touring a number of memory care institutions. He’s looking for a suitable facility for his mother, Adele, who has been diagnosed with dementia and now needs more specialized living arrangements than her current caregivers are able to provide. It isn’t practical for Adele to come and go on these scouting visits, so Scott has been doing this on his own.

Now as it happens, there was also a phone message from Dani on Scott’s answering machine:

Hi, Scott, this is Dani from Northmont at Bonny Slope; I just wanted to let you know that I was running some errands and I dropped off a treat for your mom at your apartment — I’m sorry I missed you. It’s in a yellow gift bag and I’m sure she’ll enjoy it.

The stinger here is not that Dani knew Adele’s tastes in cookies and tea; that came up in the conversation she and Scott had while he was touring the Northmont complex. Similar conversations had happened on all of Scott’s tours, though he recalls the one with Dani as a little more probing. No, the salient details are that Scott’s home is several miles away from the Northmont in an unlikely direction for errand-running…and the cookies came not from the upscale supermarket bakery just down the road from Scott’s place, but from the one just across the street from the Northmont. Scott was also a little surprised at the timing of the gift; he had taken a more conventional follow-up phone call from Dani a day or so earlier, and had let her know at that time that he was at least a week away from making a decision. The inevitable conclusion is that the “gift” is more marketing tactic than act of spontaneous generosity.

What’s more difficult to decide is whether the gesture is merely awkward or outright stalker-ish. Scott can’t simply hand over the gift to Adele, who has no context for — and limited ability to understand — why a total stranger would send her cookies and tea. (It’s also worth noting that some memory care patients need supervision where eating is concerned, so that any gift of food is potentially problematic.) Accepting and presenting the treats as his own is, if not strictly dishonest, at least a little disconcerting. And where complimentary goodies are usually perfectly good marketing tools, most of the time they’re usually presented as just that — not as a gift to someone not yet involved in the sales conversation.

For my part, I sincerely doubt that Dani’s intentions were anything but benign. But in the circumstances, it’s clear that her arrival on Scott’s doorstep was more purposeful than spontaneous. And that makes it much too easy for her gesture to be misread as genuinely creepy rather than professionally over-eager. It’s an error in judgment that does the Northmont no favors as Scott ponders the best facility for his mother, and an oddly aggressive marketing tactic in an industry where demand is high enough that many facilities often have long waiting lists.

Indeed, Scott reports that he’s more or less taken the Northmont off his list for reasons mostly unrelated to the gift drop-off. But that’s left him with a new problem: now what’s he supposed to do with the cookies and tea?

I may just volunteer to eat the evidence.



djonn: (Peter Iredale)
No, I have not been eaten by a grue. In fact, life here in Darkest Suburbia may finally be settling down somewhat (I can actually see most of my office floor now, which was not true for much of last year).

More specific slices of life will be forthcoming, I promise. Just now, however, I need to pass along an offer from my e-publishers at Uncial Press:
from The Uncial Letter (January 2019)

If you are a US Government employee on unpaid leave, we owe you a free read. Browse through our offerings. And then write to us and tell us which one of our titles you'd like and what format you want (epub, mobi, or pdf). Only one apiece, please.
In absolute terms, this is a small gesture on Uncial's part, but I'm pleased and proud to be a part of it (even as it appears the current shutdown may be about to conclude), and I hope that any of you caught in this situation will take advantage of the opportunity. There are a host of talented writers with work available through Uncial Press, and you shouldn't be disappointed no matter what you might choose to try.
djonn: (woods)

He lives!  (This is what happens when one has two DW identities; one gets out of the habit of switching, so that most of the -- still minimal -- updating happens under the ID where one is logged in.  I will try to be better about this going forward; OTOH, do see also the dedicated Webspace over at lonepenman.net.)  At any rate:

It's time to venture once again from Darkest Suburbia to the spectacle that is OryCon.  This year's schedule has a unique wrinkle: I've been tagged as the moderator for all five of the panels I've been assigned.  I hasten to note that this is not a complaint; in all cases, I checked the "willing to moderate" box on the survey of my own volition, and I'm pleased with the range of subjects I've drawn in the scheduling lottery.  Here's where you'll find me at the front of the room:

Friday • 2:00 pm (Overton) • How to Design the Perfect Politician
John C. Bunnell | Bob Brown, Mike Shepherd Moscoe

How do you design and implement a career-development program to produce elected officials and high-level administrators who can break free of the broken adversarial paradigm and actually work together with one another to solve society's problems?

Saturday • 10:00 am (Pettygrove) • The Right Writing Advice
John C. Bunnell | Elizabeth Guizzetti, John Hedtke, Esther Jones, Kat/K.R. Richardson

Panelists discuss how to handle feedback from beta readers, writing groups, friends and strangers-- including how to know whose advice to take, and how to accept criticism gracefully!

Saturday • 11:00 am (166B) • Care & Feeding of a Successful Book Group
John C. Bunnell | Gibbitt Rhys-Jones, Theodore J. Williams

I want to talk about books year-round, not just at con. Where to look for like-minded souls, how to go about setting things up, and how to keep people interested once you've lured them in.

Saturday • 7:00 pm (166B) • Paths into Fanfiction: Challenges & Exchanges
John C. Bunnell | Elinor Gray, Kara Helgren

Whether you're a writer looking for a fresh challenge or a reader hunting for a particular kind of story, there's probably a curated fanfic exchange on the Net that can supply just what you're looking for. From Yuletide to Holmestice, from Kink Bingo to the Ficathon that Goes Into a Bar, we'll talk about how challenges and exchanges work, where to find them, and catalogue some of the more memorable works they've produced.

Sunday • 10:00 am (166B) • Holmesian Apocrypha: Women of Baker Street
John C. Bunnell | Karen L. Black, Elinor Gray, Shawna Reppert

This isn't a panel about Sherlock and his adventures – it's one about the rapidly growing number of tales featuring his sisters (Enola), multi-great granddaughters (Charlotte), rivals (Irene Adler), and other notable women in his orbit (Mary Morstan, Mrs. Hudson, Mary Russell). And then there are the universes in which the original Holmes was a woman all along.

djonn: (crow)
Premiered at OryCon last weekend.  This one came together rather quickly, but beware: the tune is a good deal trickier than you'd think given the nature of the source material.

Michael and the Captains

Once upon a double star,
Not too far from now and here,
A young and determined officer
Thought she saw her duty clear:

She thought she could prevent a war, ere the fight began;
Instead she watched her captain die (“That wasn’t in the plan!”)
As a mutineer she was hidden away, imprisoned till her dying day,
While the war grew fierce and hot, more pain unleashed with ev’ry shot,
Alone and lost, she couldn’t endure the cost;
The stars ran red, too many dead, and the war went on and on and on and on and on and on….

But then another captain came, dismissed her fear, refused her shame;
He said he held a secret ace, he offered purpose and a place;
A chance to make the difference, as she had hoped before;
If she would only join his crew, why, they might win the war!
It was, she knew, her only chance to make amends for prior sin,
And yet, should she rejoin the dance, what might she have to do to win?

Michael, time to fly;
Would you really rather die?
Michael, don’t you see;
You can’t beat the Klingons if you don’t come with me.

Captain, count me in;
Black Alert and let’s begin;
Captain, use me well;
I’ll never see Heaven but I’ll join you in H*ll.  [x2]



djonn: Self-portrait, May 2025 (Default)
 The annual pilgrimage to Ashland began this year with an epic production (3 hours 20 minutes, just as promised in the playbill) of The Odyssey, adapted from the Robert Fitzgerald translation by director Mary Zimmerman.  I can't comment just now on the technical or literary quality of the adaptation -- though I will be looking in at the Tudor Guild in the morning to see if OSF has printed one of its limited-run editions of the production script.  What I can tell you is that this is live theater at its most basic -- and therefore its most risky.  With nearly bare sets and a very few technical effects -- most very simple and striking -- it's wholly up to the actors to determine whether the show will succeed brilliantly, or fall catastrophically on its face.

This being the Oregon Shakespeare Festival, home of one of the strongest acting companies anywhere in North America, what we get is about 95% brilliance.  This is one of the most vocally clear shows I've ever heard in the Elizabethan theater; the dead simplicity of the staging ensures that nothing gets in the way of the actors' words.  Also -- or perhaps especially -- several effective set pieces omit dialogue almost entirely in favor of crisp, sharp choreography.  I was particularly impressed with a sequence in which Odysseus' beleaguered and starving crew is seduced into capturing and slaughtering a "lamb", thereby ensuring their own destruction in turn.

The exception -- at least for me -- is Christiana Clark's Athena, whose vocal delivery is by turns both too forceful and too forced, coming across as grade-school speech-reading rather than nuanced storytelling or characterization.  It's clear both from Clark's overall performance and the staging that this is a deliberate stylistic choice, and very likely reflects Mary Zimmerman's directorial vision as much as Clark's take on the character.  Fortunately, Clark's physical performance fits into the show far more seamlessly than her speech, and this is really the only off-note in an otherwise compelling production.  Yes, it's long -- but then, odysseys in general are supposed to be long, and this one is the original that defines the term.

Overall, it's definitely a promising start to a crowded weekend.

djonn: Self-portrait, May 2025 (Default)

Herewith a quick take on my two most recent summer-movie visits:

Wonder Woman is very, very good — and manages to be so by mostly being a World War I movie rather than a superhero movie.  I am, of course, much too young to have living memories of the WWI period, but one of my grandfathers was an Army engineer in that war, then puttered around Europe for several years afterward doing a variety of field work for the American Red Cross.  My father made a point of writing down and preserving a great many stories arising from those travels, and Wonder Woman surprised me by matching the tone and texture of those stories to an impressive degree.  The members of the team Diana and Steve Trevor bring together feel like people my grandfather could easily have met and understood.  I’ve heard complaints about the portrayals of some of the minority characters, but my sense is that what’s shown is essentially accurate for the time and place — and that the reactions of the characters in question are as true to period as everything else.

Mind you, it’s not perfect.  The scene in which Diana crosses “No Man’s Land” very nearly threw me out of the movie — even in a comic-book world, there should have been too heavy a volume and breadth of firepower for her to survive being shredded using the traditional deflection-and-dodging powers that we usually associate with Wonder Woman and her gauntlets.  That the scene works is a matter of the sheer force of will Gal Gadot throws into the role…and by the end of the film, it’s clear that in fact, Diana’s Amazon powers are more literally godlike than they were in the Lynda Carter era.

#

By contrast, The Mummy is a major disappointment.  Tom Cruise tries to coast through the movie on roguish charm, but the script makes him too much of an idiot and cad for that charm to do much good (except to the degree that it persuades the Forces Of Evil to keep him alive).  Cruise’s character literally has no control over his actions for large segments of the film — the resurrected Egyptian princess Ahmanet is pulling his strings most of the time — and even when he makes a choice that looks sort of heroic (notably, resurrecting the film’s other female lead), one can rationalize that he’s only doing so because he’s looking out for his own self-interest further down the road.

But the real trouble with The Mummy is that there aren’t any proper mummies in it.  What we have instead is Sofia Boutella as the aforementioned Ahmanet, and within five minutes of waking her up, the film has her mostly out of her wrappings and into slinky seductress mode, clad in just enough shreds of green to keep her nominally street-legal.  Nor are most of her monster legions mummies; just about all of them are better classified as skeletons, zombies, or ghouls.  The Egyptian — or even faux-Egyptian — folklore is just as thin on the ground.  With no likeable hero, no mummies, and no mystical Egyptian spice in play, all that’s left is a lot of CGI sludge and generic mayhem.  And that’s not much of a recipe for a successful Mummy movie.

Fortunately, I paid for my ticket to the Cruise Mummy by buying a boxed set of four movies from the much better predecessor franchise starring Brendan Fraser, Rachel Weisz, and eventually The Rock (total price well under $20) — a win for my DVD collection, if not for Universal’s current cash flow.

 [reprised from The Lone Penman; *not* crossposted to LiveJournal]
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Heard In Passing....

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